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Wednesday, November 13, 2019

On the subject of Del Rio

After 25 years away, this spring I finally returned to the place where I spent most of the first four years of my adulthood.   Before we left, I knew I had difficulty visualizing the town, the area.  So on one level, I had a hard time remembering how things looked, but I figured I'd return and look around and it would all come flooding back.  But no.  Not at all.
I drove around town, and I recognized the names of Don Marcelino's restaurant, and Wal Mart, the Sirloin Stockade, Wright’s Steakhouse…  but ... that was it.  I knew the main street names were Avenue F and G, and there they were.  But I could never tell you where I was at when the guy ran into my rear bumper.  Absolutely nothing looked even remotely familiar.  I remember the guy we’d see occasionally at a stop light, with an old hound dog standing on the roof of his truck, but I didn’t see them now, and I’m not even sure where that stop light was.
On some level, I have been really dismayed by this blindness into my own history.  I have very fond memories of some of my time there.  That is to say, I really enjoyed the job, but more than that, the people I worked with.  While living there, I remember going west as far as Langtry, Texas to the Judge Roy Bean saloon.  Going north to Sonora Caverns, and of course, trips to San Antonio.  I remember those areas, at least a little.  I remember the feel if not the detail of the River Walk in San Antonio, but the road to and through Del Rio itself?  Nothing.  It seems like a blank slate. 
In 2019, I found myself amazed all over again by how devoid of trees and how flat Del Rio is.  On some level, I knew it was that way.  That treeless expanse has always been my 'first impression' remembrance of the area, but the reality now vs. my memory is like seeing the Grand Canyon in person after only ever seeing it on a post card.  I drove past the home of someone whom I used to work with, where I have fond memories of being welcomed as a part of their family for a holiday gathering... and I did not recognized the house or street at all. 
I have pondered on that blank place in my memory over the past few months.
It dawns on me that if I go back to my earliest childhood, I would read the books on the bookshelf in the hallway when we lived in the old homeplace.  There was a battered copy of Swiss Family Robinson and Robinson Crusoe, there were the Hardy Boys and Nancy Drew books, and there were others.  And I would read them, forget the contents and read them again.  I may not have been completely surprised at the climax but I was pretty good at suppressing the details so as to make the stories new again.
That self-training kept me entertained on long summer days and nights, and has allowed me to watch and re-watch movies over the years, without really remembering the details - just the impressions of big ideas or themes.  It causes me to be unable to remember quotes or even lyrics, exactly as they are uttered, because I remember the impression or feeling it left behind more so than the words.  It makes me want to avoid Robin William's "What Dreams May Come" even though I recall it is in places visually stunning, because I feel the death involved in the storyline, even though I can't recall the details.
Back to Del Rio, Texas. It is a small town nestled along the banks of the Rio Grande River, just across from Cuidad Acuna, Mexico.  My earliest knowledge of Del Rio comes from a childhood where I read everything I came into contact with - and back then almost all coupons had an address of 1 Fawcett Drive, Del Rio Texas or something similar.  To this day, many manufacturer or retail coupons are still processed there.  So I at least knew it existed.  After being stationed there, folks would say, "Oh, I remember Del Rio... We used to listen to the radio station..." At some point in time before I was there Del Rio had a super-powerful signal and broadcast across much of the western USA.  The area near Laughlin and Del Rio was home to filming of several movies over the years, including Lonesome Dove and John Wayne’s The Alamo, which were filmed at the Alamo Village outside of Bracketville just down the road.
But that evening in late September 1990 that I arrived, it was well after dark, and my aunt and uncle dropped me and ran.  I was given a key to a strange room in the base’s hotel (the Temporary Lodging Facility or TLF).  When I opened the door, a woman cried out… I closed the door and went back for a different key to a different room.  Waking up the next morning, my first morning there, I was a 19 year old Arkansas farm boy named James, who, having grown up surrounded by farms, and woods, and hills, went outside to see ... nothingness.   There was something, all right.  But not trees.  Not hills.  Just wide open country covered with scrubby bushes.  So the first jolt to me was this feeling of surreal surroundings - I may as well have been on the surface of Mars.  I was disoriented.  Out of place.
Then I had to get in touch with my sponsor.  Thus far, in my 6-month Air Force career, all the Non Commissioned Officers that I had been around were instructors of some sort - drill sergeants, teachers.  They were all 'up there' and beyond me.  My sponsor, the one whose job it would be to show me around and get me acquainted with life there, was appointed by the Air Force. His name was Sgt Gomez, and being in Del Rio, obviously he was of Mexican descent, was an eight foot tall drill sergeant of a character, and would yell a lot.  But actually, as I recall, he showed up to pick me up, riding with SSgt Trusty in his Dodge K-Car, and they took me out to eat in town at a Chinese restaurant.  This eight foot guy turned into someone who was slim, soft-spoken, probably 5'6" or thereabouts, and super-nice.  While we were ordering food, I was yes-sirring and no-sirring, but it did not take them long at all to tell me to cut it out.  "We work for a living!!" they said.  This Chinese food experience was my first...  Following the firsts over the past 6 months of 1) having a physical, 2) riding in a taxi 3) riding in an airplane (a handful of times) 4) riding on a city bus (town pass in basic training) 5) riding on a Greyhound (going to tech school) 6) seeing the ocean and 7) walking on a sandy beach (in Biloxi) 8) sleeping and bathing with 40 other guys who were all different from me but who all had shaved heads, wore brown t-shirts and wore BDUs or white-t-shirts and blues 9) running and exercising and doing the confidence course and feeding punch cards through a computer and shooting an M16 and............. all that stuff.
Now, here I was, all alone, but for these two guys who had so little in common with me but who were willing to be patient while I adjusted to uniformed life.  At work, I was introduced to the shift supervisors, who were civil servants named Rob, Pete, and Maria.  Rob was a retired Tech Sergeant and Pete a retired Master Sergeant, and I’m not sure about Maria... I never worked directly with Maria, but she was a nice lady.  Down the hall was Edith Morgan, now Smith, who was the database manager.  Chief Henson was from Alabama, and nominally ran the office, but Edith was really the one who knew and orchestrated the important stuff.  TSgts Boykin and Prys were there then as I recall.
I was assigned to work with Rob, who became something of a foster-father to me.  He was a bit rough around the edges, but had a heart of gold.  The first time on mid shift a couple weeks after I started, he sent me into the break room to make coffee.  The Bunn coffee maker there was 8 or 10 cups, the can of Folgers Coffee said a scoop per cup or something similar, so I started scooping it in.  When it was done, you could stand a spoon up in it.  To give me credit, I did drink most of a cup before we poured it out and started over again. 
The folks at the Squadron and in the office kept asking me in those first days, “Your name is James, but what do they call you… James, Jim, Jimmy?” and I’d just answer, “Any of the above work… I’ve likely been called worse!”  I soon became Jimmy, because the organization already had an overabundance of James’s and Jim’s, and it was fine by me.
In the four years living at Laughlin, I lived as Jimmy Wheeler, kid from Arkansas.  I made some great friends, and went home every chance I could to see my family, and plant some trees.  When I left four years later, I left all that behind.  I kept in touch with a small number of people, and in Alabama, I was once again surrounded by hills and trees and people that called me James.
After almost four years, I had stepped out of the character Jimmy on the set of the Alamo, and became James, once more surrounded by normalcy, and got busy with work.  Looking back, it really seems almost that simple.  I forgot the story, the quotable moments, except for what I brought with me.  I kept in touch with a few friends over the years but lost touch with many more.
I suffer now from a sense of loss, but it’s not heartbreaking.  More introspective.  I talked to Rob off and on over the next few years – even went to dinner with him and drove caravan with him once when he went to Alabama for training.  I missed his wedding and his funeral, and for that I am truly regretful.  I don’t need to get into the dark places where I lived when he was at his end.
Jose, who at Laughlin was a staff sergeant who went on to Office Training School and became Lieutenant Acosta, came driving onto my base in Alabama, where we randomly crossed paths, and there we became friends while being stationed together again for a while.  I’ve spent nights at the Wallings’ home while traveling across country, and we briefly lived with my friend Gwen in Oklahoma before moving to Pennsylvania.  I chat with or interact with Mike and Tess and even Abe once in a while on Facebook… So some connections from Del Rio remain, no matter how tenuous.
I am thankful to have rediscovered Pete, and have had (online) conversations with him in recent weeks.  I remember going to his home for a holiday gathering at some point and being made to feel very welcome, not a guest at the table, but a part of the family. 
The Alamo in San Antonio
In San Antonio, this spring, we had a great conversation with a local AT&T (not wireless) employee who was at our AirBnB to fix the internet connection.  He was a soft spoken Hispanic gentleman, telling us about sights to see, about float trips down rivers in south Texas and taking the time to relax and enjoy life.  He WAS Texas, just as I remember it.  An ordinary nice person relating his experience and being hospitable.  Going out west in June, we could sit on the porch in front of or inside the dining room of the Starlight Theatre in Terlingua or the White Buffalo in Marathon, and listen to tales being told, and feel at home.
Julios Chips in Del Rio
I am thankful to have the opportunity now to see some things for the first time (again).  To see things that I could not see at 19.  I am thankful to go sleep under the Milky Way and see its bright beauty, but to also see the mesquite and desert willow and agave in bloom.  To see torrential downpours that flooded side roads from the highway I was on, showing me more water in a day than I remember seeing in almost four years before.  To see the wide open spaces and grow past the otherness and embrace the diversity.
Starlight Theatre in Terlingua
But the scant couple of hours I spent in town, that day in June, from the stop at Julios for their world-famous chips to the pit stop at Wal Mart for supplies, and the driving around town between… I am still not sure how I feel about having such a blank spot inside of my psyche.  It was a long time now (but not that long…) since I played the role of Jimmy in my own “Alamo” or was it maybe “Jimmy’s Lonesome Dove.”  The figurative movie set where I lived, breathed, and worked for almost four years was abandoned by the star but not dismantled and it was disorienting to step back into it and see that others continued the story without my presence.  Much like the child-me that forgot about Robinson Crusoe and Frank and Joe Hardy so I could reread with excitement the next time, and again. I am ready to pick up the book and read it again. To watch the movie and know that the book that I read before can be different and it’s okay.
The me of today wants to go exploring there, to SEE what the blind kid that once lived there could not.  To cross back into Acuna and see if there is still good food and nice shopkeepers and beggars trying to get me to take their Chiclets Gum packets (I’ve read that Chiclets is no more… what do they do now??).  I remember so much but so little at the same time.

Thanks for letting me wander down memory lane.  This is not a post with an ending… Just … sharing my momentary disorientation.


Saturday, March 09, 2019

Thoughts on cameras

My journey.

In high school, I was a yearbook photographer in my junior year.  They had a 35mm Canon AE-1 that did all right... We did not have a darkroom so the local drug store processed the film.  Over the years, I have always had a camera, but often would pile up 18 rolls of film over a couple years' time before I'd get it developed.

My first foray into digital cameras was a used Fuji Finepix that a neighbor gifted to me after her husband passed away and I helped keep her yard cut and stuff till she settled the estate.  This was around 2004.  It was a 2 megapixel, with few 'quality' settings.  I very quickly outgrew it because it was limiting - but it really opened my eyes to the possibilities of digital.

I do have one shot taken with it that I still really like.


Without resizing software, you'd be hard pressed to get much beyond an 8x10 with this photo because it would just get too pixelated.  I actually took the photo after buying a new camera and running down the battery.  I left the battery on the charger and we left to go somewhere, and I had one of those 'whoa!' moments, where I turned and went back.  This camera was what I had so I used it.

The replacement camera was an Olympus camera with a 10x zoom - just a small point and zoom.  At the time, 10x optical zoom was really something - nowadays it's nothing.  This camera was 4.1 MP, and I took many thousands of photos with it.  I got down on the ground and took pics of the forest floor (lichens are cool!!!).  I took pictures of moving water.  One night I took 60 pictures (no lie) of a black sky as a thunderstorm marched up the valley to the back of my house.  Disgusted, I went inside and quit.  Except I started playing with settings and figured out I could do a '15 second' exposure in one of the more advanced modes.  So I went out on the front porch, where the storm was at by now, and the third shot, I got this.


So this camera had strengths and weaknesses.  It was compact, and easy to use.  It took great outdoor shots.  The battery could deliver hundreds of shots before needing to be recharged.  It could do macros as close as 1CM.  It sucked in low light.  Despite being only 4.1MP, I could do photo prints up to 12x18.

After having had this one for awhile, I 'upgraded' to a Sony point-and-shoot, with something like maybe a 16x or 20x zoom - can't remember now.  It was 8MP.  How I hated that camera!!!!!  This was before Sony bought out Minolta and started marketing SLR's... The camera had a great zoom.  But it had absolutely no quality settings.  No RAW or TIFF mode, no super-fine jpg or anything.  It just took pictures.  And on a perfect day, they were okay.  I'd have been hard pressed to do prints much larger than an 8x10 despite having twice the megapixels of the Olympus.

I started thinking about SLR cameras... I needed to do something.  I was up to about 2008, and the older camera was barely functional (it took a beating including a day when I slipped on the ice and the camera went one direction and me another).  The Sony sucked.  I decided to ebay a used film Canon.  After a month, I was hooked... So I bought a Canon XSI (12.2MP), entry-level but decent camera.  Actually I ordered 2 because it went on sale a couple days later.  I had a 21 day return window, and about day 20 contacted Dell to get a return authorization on the original camera, and turns out the clock started the day I submitted the order, not the day I received it, so despite delays, they would NOT let me ship either camera back.  So I've had 2 identical cameras for years.  I later bought another Olympus, and have used it now and again... But I have not upgraded a camera in 10 years+, although I bought Robin a Panasonic in 2013 for Christmas (more on that in a bit).

I am way past due for something new.  The question is, what?

Impressions from the past experiences.

SLR cameras.

Canon and Nikon are hard to beat.  They both have overall great reputations, are dependable, and everyone uses them.  I had a friend who was into Canon so I figured why not.  I'd probably do Nikon if I were starting over, but really either is okay.  Pentax is interesting.  They have been around a long time.  You get more bang for your buck.  The cameras are sturdier with more weather sealing, but the image quality overall is a bit lower.  It's all relative.

The Canon SLR cannot be beat for image quality overall, and for reliability although both cameras have lately started to act up.  I am well past their rated cycles on shutter life, because I was a glutton on camera usage for a long time.  I have the basic 18-55mm type lens, and a Sigma 70-300mm lens, a Canon 50mm F1.8 lens, and a Tamron F2.8 90mm lens.

If I bring all the lenses along, I have to use my huge bag.  And none of them are spectacular, although all have strengths.  The one I'd replace if I keep the canon line is the 70-300mm - Canon makes better and they are cheaper/lighter now.  The Tamron takes wonderful macros but you have to be a foot or two away from the subject.

This camera model did 'live view' which was new in SLR cameras at the time but is a standard now - and had been for a long time in point and shoots.  It doesn't have a movable screen (articulating screen) so you either used the viewfinder or stared at the back.  I'd probably rather not have one that doesn't have a flip out screen anymore.  It didn't do video, which is another standard feature now.

So yeah... Unless someone gives me a bunch of Nikon lenses, sooner or later I'll get a newer model Canon SLR.  Maybe even something like this with the extra lens:  https://shop.usa.canon.com/shop/en/catalog/eos-rebel-t7i-video-creator-kit


Other Cameras.

If I had $1000 to throw away today I'd hold off on an SLR, and buy this:

It's not an every day camera.  It's bulkier by far than my SLR.  But on a tripod, I could take clear pictures of the craters on the moon and fuzzy pictures of Saturn's rings.

I think the technology will get better and cheaper and in a few years this might be a low-end camera by then.  So I don't know that I can justify $1000 on the thing.  But boy, I want me some of those moon shots.

Back to more realistic options.

Robin's Panasonic.  It was on a Black Friday sale for $349 as I recall.  It was the Lumix FZ300.  I bought it for one reason.  It could do low light and well.  The zoom for its entire range (something like 24x) could do F2.8 (which means it lets a lot of light in, so does low light well).  It does a pretty good job of outdoor photography.  Maybe the prints aren't as perfect as a good Canon SLR, but it can certainly do action and low light and people and places and do a good job of them all.  At the time, I was thinking 'School Concerts' because all my cameras were very hit or miss as to whether you could actually get focused on a kid's face or not.  She has since continued to use it for product photography shots (see wheeloflightstudio.com for her solidarity cups).

The current model is the FZ300 and it's been out a few years.  Still has that low light capability that made the original camera such a  great option.  It's only 12.1 MP; and for this price point should be upgraded.  https://shop.panasonic.com/cameras-and-camcorders/cameras/lumix-point-and-shoot-cameras/DMC-FZ300K.html

But all-in-all, a great option for anyone as long as you don't want to do poster-sized prints.

My criteria at the moment is... maybe....

Something 20mp or more simply because less seems archaic these days.
Probably a point-and-shoot and not an SLR simply because I get frustrated with the switching attachments all the time.
Something that can do macro shots at 1CM from the lens (I really like getting close the the flower/bug/whatever).

Something that can zoom quite a ways.
Something with an articulating screen so I can see myself if the camera is on a tripod, or so that I don't have to lay on my belly to get that four leaf clover in focus.

This all points me to a category of camera sometimes referred to as a 'bridge' camera (now they're changing that a little and calling them long-zoom cameras).  A good up-to-date round up of cameras in this class is here (browse around a bit - a great resource for camera hunters).

https://www.dpreview.com/reviews/buying-guide-best-enthusiast-long-zoom-cameras

There are a number of other buying guides here as well as reviews that show sample photos and comparable models.

There are large-sensor models and small sensor models.  There are smaller versions of SLR that aren't SLR at all but similarly work with lenses (referred sometimes as simply ILC cameras - interchangeable lenses).